"I tell stories of people who are living through hard conditions, like a war or a crisis," says Paris-based photographer Laurence Geai. "I was a journalist first, then I decided to be a photojournalist. I love still images because they stick in your mind. This is very important for me, that pictures stick in your mind – that's what I want to do."

Regularly on assignment for French newspaper Le Monde, both abroad and covering domestic politics, Laurence has also seen her work published by The Washington Post, Elle, Paris Match and Polka, among others. She's worked for NGOs including Amnesty International, and she's represented by the MYOP photographic agency.

Laurence studied business at university, first working in the fashion industry, before deciding at 25 that she wanted "to tell the stories of the people of the world". It was, she says, "very na?ve", and without experience in journalism or telling visual stories, she decided to do internships in TV to learn her craft. At the same time, she also started photographing weddings at weekends, honing the skills that would come in useful in the future. "What is wedding photography?" she asks. "You have to be quick, and you can't miss the right moment. It's reportage."

A turning point came when Laurence met renowned French war photographer Patrick Chauvel. "I wanted to understand why someone risked their life to tell other people's stories," she says. "I asked him a lot of questions and it made me want to tell those stories." In 2013, two years after the start of the war in Syria, Laurence packed her camera bag. "I was curious about how people react in war zones, how do people deal with their lives," she recalls. "I wanted to see if I was not too scared, and if I could make this a job." Laurence has since gone back to the country 13 times.

After returning from Syria, Laurence spent three months in 2014 in the Central African Republic, where she "learned how to make pictures". Self-taught, she has been helped along the way by the likes of Associated Press photographer Jér?me Delay. Laurence's work has since taken her across the Middle East, from Gaza in 2014 to Iraq, Lebanon and Syria, further afield to Azerbaijan, where she covered the Nagorno-Karabakh conflict, and most recently Ukraine. Having moved up the 5D series to the Canon 365bet体育投注_365bet体育娱乐场-app官方下载@, which she describes as a "close friend", Laurence has now switched to the mirrorless Canon 365bet体育投注_365bet体育娱乐场-app官方下载@5.

Her coverage of Covid-19 at home in Paris won her third prize in the General News category at the 2021 World Press Photo Contest. Other awards include the 2020 Grand Prix Les Femmes S'exposent, the 2019 Reuters Grant and Polka Photographer of the Year 2017.

What do you want to achieve with your imagery?

"I want a picture that sticks in your mind across the years. I don't take many portraits, and I feel less comfortable leading a person. What I prefer is a scene, like the paintings that came before photos, which are an inspiration for me."

What did you learn from your early experiences in the field on your first trip to Syria?

"My pictures were not good, to be honest – but I knew why. I was shy to enter homes and shy to speak to people. To be a photojournalist, being a good photographer is not enough – you have to be confident, and that's something you need to learn. Working in a warzone is hard. Empathy, curiosity and patience are three qualities which I think are very important. I also need to sometimes be stubborn depending on the story I am working on – when I cannot go through the door, I try the windows."

How do you deal with the challenging aspects of the stories you are covering?

"The first hard things I saw, I cried. I couldn't stop crying. Now, I try to contain my emotions in front of everyone. When I witness hard things, it's destabilising and scary, but I have to focus on what I am there for. Actions must be decided quickly. I needed to learn how to deal with stressful situations and with my own fear. I don't behave in the same way today as I did at the beginning of my career. I have a lot of empathy. I can be affected by what I witness, but it is the price that I am ready to pay to do this job."

What's your advice for people who hope to become photojournalists?

"If you want to be a photojournalist, it's an advantage to be able to take nice pictures with a good frame, but according to me, you have to be a journalist first. My advice is to study journalism and to practice photojournalism everyday; it is the only way to improve ourselves. The advantage of this job is that everywhere, there is a story to tell."

"Humans are all the same. We have the same emotions. It helps me a lot to understand that, and not to be shy to approach someone. It also helps in the way I photograph people. I try my best to take pictures in which everyone can recognise themselves. When I speak to people and take pictures of them, I want to make their voice heard. I know I can work in war zones; I can find the stories. And when I publish my work in Le Monde for instance, there is an impact. Even if our report will not change the situation, we are here to bring back information and I feel useful doing that."

Instagram: @laurencegeai

Twitter/X: @laurencegeai

Website: laurencegeai.com