Nigerian artist, self-taught photojournalist and Canon Ambassador Yagazie Emezi's passion for her home inspired her to first pick up a camera. "When I started taking pictures, I actually didn't have any interest in photography itself, I was more interested in sharing visuals of home," says Yagazie, who finished high school and university in Albuquerque, New Mexico after studying Cultural Anthropology and African Studies.

"I left Nigeria when I was 16 years old and remember most of the images on my first camera [a Canon 365bet体育投注_365bet体育娱乐场-app官方下载@ebel T2i, now succeeded by the Canon EOS 850D] were taken when I returned after eight years. I just wanted to record these memories of my childhood home," she explains. "I remember going through my parents' old suitcases, wearing these old clothes, taking these self-portraits and visiting Lagos for the first time, just wanting to take pictures of everything and share Nigeria with people."

After becoming a staff photographer for a non-profit focusing on access to education for young girls from slum and rural communities around Liberia, Yagazie's intimate portraiture took on a new trajectory.

"My main interest at that time, and still today, is women and children," she says. "Being in Liberia really gave me that intimacy that I needed to build my confidence as a photographer, as opposed to being in a large city where there are hundreds of other photographers and you don't know quite where you fit in.

"Here I was in Liberia, ultimately by myself, having the time and access to actually sit down, talk with people and photograph them," Yagazie continues. "The timing was quite lucky because this was around two years after Ebola. I had already built my social media platform, and editors and publications were looking for stories on what Liberian life was like. That is how I got a job offer to shoot a story with The New York Times – and the rest is history."

Yagazie's work has also featured in other high-profile publications, including Al Jazeera, Vogue, the Guardian and The Washington Post. Her photojournalism focuses on identity and culture, social justice, climate change and migration. Throughout 2018 to 2019, Yagazie documented patrols at sea around Liberia, Gabon and Namibia with the non-profit organisation Sea Shepherd. In 2019, she became the first black African woman to photograph for National Geographic Magazine and is a National Geographic Explorer Grantee.

The most rewarding situations to capture, Yagazie says, are those that share a connection. "There have been many moments that have been very rewarding, and these are moments with the storytellers who are sharing them with me. As photographers, we want – and this can also be a negative – to feel like we belong, because we get so invested in a story and sometimes forget that we are often still visitors in a space.

"Whenever a photographer feels that they haven't taken from somebody, that is the reward – when you feel as if both of you have shared and it isn't this opportunistic approach to just get the work done."

What drives you to keep developing and improving?

"I just want to be good. The learning never stops. If we ever think that we do not need to learn anything else, then it's just proof that we haven't learnt much."


What motivates you to work as a photojournalist?

"Storytelling. I love hearing people's stories. Having the opportunity to see how other people live lets me have a fuller life, because it expands my own world. I wouldn't say it is completely altruistic. I have to do it for myself, because it allows me to live more fully, having witnessed how other people live."


What are the most important elements to you when creating intimate portraits in difficult scenarios?

"When I am working, I am very warm, and I find myself in a lot of environments that remind me of home. I am also observant. There is not a one-way approach because every individual for an intimate portrait is going to be different. I am just perceptive enough to know when somebody needs their physical space, or when somebody enjoys a little bit more intimacy. It's about reading people."


What is your go-to lens when on assignment?

"That would be the Canon EF 24-105mm f/4L IS II USM. It is just really great for landscapes, and because it's really wide for certain indoor spaces that I find myself in.

Yagazie Emezi